Right this moment, there is a combination in Paris which can mesmerize even the most demanding beauty lover: the Fondation Cartier‘s exhibition on Beatriz Milhazes, the geometrical color-loving painter from Brazil.
The eye-catching expression of joy translated in bright circles and intersections of geometrical figures suits the Jean Nouvel museum just perfectly. The simplicity of the museum’s glass exterior and its gentle take on reflection function like an aquarium for Milhazes’ works: the art is contained yet beautifully shown in a very large scale.
Beatriz is one of the only Brazilian artists working these days who seem to be able to express Brazilianness through a medium that is not music. She has said that she wishes to combine all influence she’s taken in all through her life, be it art from her own country, from Latin America or even Portuguese barroque, and make it her own visual translation of painting. Appropriating multiple influences and transforming them into something new is a very Brazilian characteristic.
Convergingly, Jean Nouvel’s remarkable creations that make us rethink architecture integration are a fresh breeze into the building era’s air. Two of my favorite buildings in Paris (namely the Fondation Cartier building and the Institut du Monde Arabe) integrate so well with their surroundings and yet have a clear identity connected to their purpose that it is just impossible not to appreciate them.
For those who want to delight in color, shape & architecture, this exhibition is the place to be in Paris. It’s on until June 21, so there’s quite some time for you to shun the clichés of Paris and still have a great aesthetic time.