Tag Archives: Fever Ray






a) We’ll never change the world, no.
b) After the night, when I wake up, I’ll see what tomorrow brings.
c) Is it amnesia mistaken for magic?


Karin Dreijer Anderson once said that spookiness can be an interesting feeling to explore in music.

I find it always amazing when a song’s lyrics or video send a totally different idea from the tune itself, especially when it becomes a combination of opposite feelings.

That is how I felt after watching Twin Sister‘s video for Kimmi in a Rice Field:

Diving in different waters, emerging with surprising emotions.

Motion in culture

Today is Brazil’s National Day.

For most of us though, September 07 is just a day to enjoy our friends’ and families’ companies or basically do nothing – by a pool, preferably.

So here I was, just surfing the internet after lovely breakfast with dear guests when I found Karin Dreijer Andersson‘s mixtape on DazedDigital.

Listen to her delightful music list here

It is so remarkable how my tastes sometimes go around in circles. If you read this blog, you probably know I’m mildly obsessed with both Africa and Scandinavia.

Fever Ray's new tour costumes

These places are universes apart, but then I come across one of my favorite artist’s playlist and find lots of African music in it.

I should have known by now that Fever Ray is always surprising. It seems that what I wrote about the end of the project might have been a bit hasty. Since then it seems Karin changed her mind. The new tour is a witness to that change.

How extraordinary it is to see all these tastes and references come together. Unlike what most xenophobes might believe, culture is not stagnant.

You do the math.

A land of the (re)mix

If there’s one thing Brazilians do really well is to absorb cultural elements from a multitude of sources and transform it into something completely new and often surprising.

This might be due to the fact that for decades the only access to international culture we had here was rather late and often obsolete. Then came the 21st century and mass rapid internet connections. It is the age of the remix.

The Twelves, a musically gifted duo from Rio do it better and faster than one’s head can take. They are excellent.

In a very Brazilian way, they take songs from great artists around the globe and add their own twist of musicality to the original beat, creating something which is as good to dance to as it is to appreciate at home.

Reinvention is my word du jour.

PS: FYI, they do create their own music, though not as often as one would wish.

The last list

Is the year over yet? No? So, there’s time for the last list of 2009.

As a music addict, I’ve listened to dozen of bands all along the year. Some of these artists have managed to touch me in one way or the other, for they were part of the soundtrack of my life in 2009 (sound memory forever). And some of those acts launched new albums this year. So, with no more delays, here’s my list of the top 5 albums of 2009:

  1. The xx. The year’s best discovery. Melodic songs, sexy voices, strong bass and heart-warming lyrics. Unforgettable.
  2. Fever Ray. The world’s most luxurious electronic music bathed in feeling, meaning and purpose. A masterpiece.
  3. La Roux. How far can a beautiful voice and lovable synths go? Quite a long way, it seems. Deliciously good.
  4. The Arctic MonkeysHumbug. More mature, more guitars, more melody, more Alex Turner. For all times.
  5. PJ Harvey & John ParishA Man A Woman Walked By. Banjoes, organs, guitars and voice. A breath of fresh rock into one’s ears.

A universe of feelings:

A musical universe:

May all of us have an art-filled and creatively rich 2010, with lots of good music too.

The end of Fever Ray

The multitalented Swedish artist Karin Dreijer Anderson has recently announced the end of her solo project, the wonderfully surprising Fever Ray, after just one record.

In an interview to the Norwegian newspaper Aftenposten, she claimed that she’s accomplished what she wanted with this album, so it’s time to move on.

Fever Ray live

It saddens me but also it makes me admire her even more. Despite all the positive criticism, she chose the hardest path, the one of creativity. I can’t help but admire independent-minded artists and especially musicians who never cease to amaze.  She is aware of the fact that what she does isn’t mainstream and bases the explanation to her choices on her own pursuit of artistic expression, a thought I cherish deeply.

When asked about the difficult reception her music sometimes gets, she replied:

“I think listeners are often underestimated if one thinks that they only want to get fast-food songs, easily accessible tunes which everyone can understand the first time they hear them. I think people appreciate songs that take a little time to be taken it.”

A Fever Ray concert is conceived to be an exhibition, uniting sounds, music and visual elements to give access to Karin’s conceptions of a true and thorough artistic experience. In a fruitful partnership with Swedish artist Andreas Nilsson (who also directed the videos), the singer developed the concept of a five-sense approach to a music concert.

“I think it’s exciting to work with music that tries to express things in different ways, which can be accessed through many different entrances. One can listen to it for many reasons and purposes.”

In a world so full of idols and disposable artists, her words are an indescribable relief to one’s ears.